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ORIGINAL 1875 PEN & INK DRAWING OF JEROME PARK RACING BY NOTED ARTIST GREY PARKER USED AS THE COVER OF "THE NEW YORK DAILY GRAPHIC." AMERICA'S FIRST DAILY ILLUSTRATED NEWSPAPER (2)

ORIGINAL 1875 PEN & INK DRAWING OF JEROME PARK RACING BY NOTED ARTIST GREY PARKER USED AS THE COVER OF "THE NEW YORK DAILY GRAPHIC." AMERICA'S FIRST DAILY ILLUSTRATED NEWSPAPER (2)

<p style="line-height: 116%;"><span style="color: #3a3a3a;">In<span style="letter-spacing: 1.7pt;"> </span>addition<span style="letter-spacing: 0.9pt;"> </span>to<span style="letter-spacing: 0.15pt;"> </span>the<span style="letter-spacing: -0.05pt;"> </span>artwork<span style="letter-spacing: 0.55pt;"> </span>being<span style="letter-spacing: 0.65pt;"> </span>unique,<span style="letter-spacing: 0.3pt;"> </span>the horses<span style="letter-spacing: 0.3pt;"> </span>shown<span style="letter-spacing: 0.95pt;"> </span>negotiating<span style="letter-spacing: 0.8pt;"> </span>the<span style="letter-spacing: 0.6pt;"> </span>jump<span style="letter-spacing: 0.25pt;"> </span>is<span style="letter-spacing: 0.15pt;"> </span>the<span style="letter-spacing: -0.4pt;"> </span>first<span style="letter-spacing: -3pt;"> </span>known<span style="letter-spacing: 0.05pt;"> </span>depiction<span style="letter-spacing: 0.05pt;"> </span>of the<span style="letter-spacing: 0.05pt;"> </span>racetrack's famous water hazard. The complete and unmarked<span style="letter-spacing: 0.05pt;"> </span>newspaper<span style="letter-spacing: 0.3pt;"> </span>dated<span style="letter-spacing: 0.5pt;"> </span>June<span style="letter-spacing: -1pt;"> </span></span><span style="color: #4b4b4b;">12,<span style="letter-spacing: -1.1pt;"> </span></span><span style="color: #3a3a3a;">1875<span style="letter-spacing: -0.65pt;"> </span>showing<span style="letter-spacing: 0.45pt;"> </span>the<span style="letter-spacing: -0.55pt;"> </span>full<span style="letter-spacing: -0.4pt;"> </span>front<span style="letter-spacing: 0.6pt;">-page</span><span style="letter-spacing: -0.2pt;"> </span>cover<span style="letter-spacing: 0.1pt;"> </span>is<span style="letter-spacing: -0.4pt;"> </span>also<span style="letter-spacing: 0.15pt;"> </span>included.</span></p><p><span style="font-size: 12pt;">&nbsp;</span></p><p style="line-height: 115%;"><span style="color: #3a3a3a;">This<span style="letter-spacing: -0.05pt;"> </span>drawing<span style="letter-spacing: -0.2pt;"> </span>is<span style="letter-spacing: -0.15pt;"> </span>the<span style="letter-spacing: -0.3pt;"> </span>actual<span style="letter-spacing: -0.4pt;"> </span>source<span style="letter-spacing: 0.15pt;"> </span>of<span style="letter-spacing: 0.35pt;"> </span>the<span style="letter-spacing: 0.25pt;"> </span>printed<span style="letter-spacing: 0.5pt;"> </span>cover image as<span style="letter-spacing: -0.2pt;"> </span>a<span style="letter-spacing: 0.6pt;"> </span>result<span style="letter-spacing: 0.25pt;"> </span>of<span style="letter-spacing: 0.4pt;"> </span>new<span style="letter-spacing: 0.35pt;"> </span>advances<span style="letter-spacing: 0.7pt;"> </span>in<span style="letter-spacing: -3pt;"> </span>the engraving process at<span style="letter-spacing: 0.05pt;"> </span>the time. Formerly, drawings were transferred<span style="letter-spacing: 0.05pt;"> </span>to wood blocks in<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: 0.1pt;"> </span>traditional<span style="letter-spacing: 0.9pt;"> </span>method<span style="letter-spacing: 0.8pt;"> </span>of<span style="letter-spacing: 0.2pt;"> </span>wood<span style="letter-spacing: 0.65pt;"> </span>engraving.<span style="letter-spacing: 0.45pt;"> </span>The<span style="letter-spacing: -0.15pt;"> </span>two<span style="letter-spacing: 0.3pt;"> </span>bottom<span style="letter-spacing: 0.5pt;"> </span>corners<span style="letter-spacing: 0.15pt;"> </span>are<span style="letter-spacing: 0.9pt;"> </span>drawn<span style="letter-spacing: 0.75pt;"> </span>on<span style="letter-spacing: 0.3pt;"> </span>cut<span style="letter-spacing: -0.05pt;"> </span>outs<span style="letter-spacing: 0.05pt;"> </span>that was the method<span style="letter-spacing: 0.05pt;"> </span>used<span style="letter-spacing: 0.05pt;"> </span>to correct<span style="letter-spacing: 0.05pt;"> </span>parts of the initial drawing in which the artist was not<span style="letter-spacing: -3pt;"> </span>satisfied. This drawing (16" L x 18 &frac14;" H), and newspaper are<span style="letter-spacing: 0.05pt;"> </span>in superb condition and of<span style="letter-spacing: 0.05pt;"> </span>historical significance. A further description<span style="letter-spacing: 0.05pt;"> </span>is provided<span style="letter-spacing: 0.05pt;"> </span>by the prominent<span style="letter-spacing: 0.05pt;"> </span>Philadelphia<span style="letter-spacing: 0.05pt;"> </span>Print<span style="letter-spacing: -0.05pt;"> </span>Shop<span style="letter-spacing: 0.1pt;"> </span>on<span style="letter-spacing: 0.3pt;"> </span>the<span style="letter-spacing: -0.1pt;"> </span>back<span style="letter-spacing: -0.2pt;"> </span>of<span style="letter-spacing: 0.1pt;"> </span>the matted<span style="letter-spacing: 0.65pt;"> </span>drawing.</span></p>


Past Sports Card, Memorabilia, Non-Sports Card and Collecitble Auction Items

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Red Pollard's Seabiscuit Saddle
Red Pollard Signed 1940 Santa Anita Handicap Victory Photo
Charles Howard Signed Sea Biscuit Print
Red Pollard in his Tragic 1938 Spill
Seabiscuit and Trainer Tom Smith (1937)
Kentucky Derby - Churchill Downs
Seabiscuit v. Ligaroti (1938)
Seabiscuit v. Kayak II (1940)